Fresh Air

Monday - Thursday 2pm - 3pm; Fridays 8pm - 9pm

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR.

KUNR Local Host: Danna O'Connor

Ways to Connect

Transcript

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

Filmed Over 12 Years, 'Boyhood' Follows A Kid's Coming Of Age: Writer-director Richard Linklater says picking the film's star was vital because he had to guess what he'd be like at 18. "I just went with a kid who seemed kind of the most interesting."

Womack sang for a gospel group with his brothers called the Valentinos. It's All Over Now was their first international hit. Womack, who died June 27 at the age of 70, talked with Terry Gross in 1999.

Transcript

TERRY GROSS, HOST:

This is FRESH AIR. Our film critic David Edelstein has a review of the new film "Boyhood." It was written and directed by Richard Linklater, who also made the movies, "Slacker," "Dazed And Confused," "School Of Rock," "The Before Sunrise" Trilogy and "Bernie." "Boyhood" covers a dozen years and was shot over a 12 year period. It stars Patricia Arquette, Ethan Hawke and newcomer Ellar Coltrane as the boy we watch grow up.

Usually when characters age in movies, they're covered with makeup and outfitted with prosthetics — or directors use different actors as the characters grow older. But in the new film Boyhood, none of that is necessary.

The film takes place over the course of 12 years, and it was shot over the course of 12 years. So we watch the actors getting older for real, which gives their characters a sense of authenticity.

Fred Hersch Knows His Trios

Jul 10, 2014

Over the last 30 years, jazz pianist Fred Hersch has recorded in solo, duo, quartet, quintet and double-trio settings, with big band and with orchestras. Fresh Air jazz critic Kevin Whitehead says the classic piano, bass and drums trio format suits Hersch best of all in a review of Floating.

If you asked mystery fans to name the most important novel of the past decade, most would say The Girl With the Dragon Tattoo — and they'd be right. In fact, Stieg Larsson's complete Millennium series, flanked by hordes of Nordic noirs by the likes of Henning Mankell, Camilla Lackberg and Jo Nesbo, have overrun the ranks of hard-boiled detective fiction, imbuing it with their distinctive strain of brittle dialogue and chill fatalism.

Jim Lauderdale's new album is called I'm A Song, a title that suggests his deep
immersion in songwriting. His compositions have been covered by singers ranging from George Strait to Solomon Burke, from the Dixie Chicks to Elvis Costello. Since his debut album in 1991, he's recorded more than 25 albums for a variety of record companies, and I'm A Song contains a generous 20 songs. Rock critic Ken Tucker says Lauderdale's career is at once admirable and somewhat puzzling.

Every year, more than half of the honeybee hives in the United States are taken to California to pollinate the state's almond crop.

Biologist Laurence Packer says this illustrates both our dependence on honeybees to pollinate many plants people rely on for food and the devastating decline in the domestic honeybee population in recent years.

They say every generation gets the science fiction it deserves, built around its biggest and most primal fears. Well, maybe they don't say that — but they should. In the '50s, all those movies about mutant giant monsters going berserk were a way for us to channel our fears about the atomic bomb. In the same way, in that same decade, all those body-snatcher movies were about being unable to tell friend from foe, or trust even your closest loved ones — the perfect paranoid parable for the Communist witch-hunting era.

Pages